Thursday 12 February 2009

James Joyce

James Joyce

James Joyce (1882-1941), Irish novelist, noted for his experimental use of language in such works as Ulysses (1922) and Finneganns Wake (1939). Joyce's technical innovations in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels drawn from the mythology, history, and literature, and created a unique language of invented words, puns, and allusions.

James Joyce was born in Dublin, on February 2, 1882, as the son of John Stanislaus Joyce, an impoverished gentleman, who had failed in a distillery business and tried all kinds of professions, including politics and tax collecting. Joyce's mother, Mary Jane Murray, was ten years younger than her husband. She was an accomplished pianist, whose life was dominated by the Roman Catholic Church. In spite of their poverty, the family struggled to maintain a solid middle-class facade.

From the age of six Joyce, was educated by Jesuits at Clongowes Wood College, at Clane, and then at Belvedere College in Dublin (1893-97). In 1898 he entered the University College, Dublin. Joyce's first publication was an essay on Ibsen's play When We Dead Awaken. It appeared in the Fortnightly Review in 1900. At this time he also began writing lyric poems.

After graduation in 1902 the twenty-year-old Joyce went to Paris, where he worked as a journalist, teacher and in other occupations under difficult financial conditions. He spent a year in France, returning when a telegram arrived saying his mother was dying. Not long after her death, Joyce was traveling again. He left Dublin in 1904 with Nora Barnacle, a chambermaid who he married in 1931.

Joyce published Dubliners in 1914, A Portrait of the Artist as a Young Man in 1916, a play Exilesin 1918 and Ulysses in 1922. In 1907 Joyce had published a collection of poems, Chamber Music.

At the outset of the First World War, Joyce moved with his family to Zürich. In Zürich Joyce started to develop the early chapters of Ulysses, which was first published in France because of censorship troubles in the Great Britain and the United States, where the book became legally available only in 1933. In March 1923 Joyce started in Paris his second major work, Finnegans Wake, suffering at the same time chronic eye troubles caused by glaucoma. The first segment of the novel appeared in Ford Madox Ford's transatlantic review in April 1924, as part of what Joyce called Work in Progress. The final version was published in 1939.

Some critics considered the work a masterpiece, though many readers found it incomprehensible. After the fall of France in WWII, Joyce returned to Zürich, where he died on January 13, 1941, still disappointed with the reception of Finnegans Wake.

Alone

The noon's greygolden meshes make
All night a veil,
The shorelamps in the sleeping lake
Laburnum tendrils trail.
The sly reeds whisper to the night
A name-- her name-
And all my soul is a delight,
A swoon of shame.
From Dewy Dreams

From dewy dreams, my soul, arise,
From love's deep slumber and from death,
For lo! the trees are full of sighs
Whose leaves the morn admonisheth.

Eastward the gradual dawn prevails
Where softly-burning fires appear,
Making to tremble all those veils
Of grey and golden gossamer.

While sweetly, gently, secretly,
The flowery bells of morn are stirred
And the wise choirs of faery
Begin (innumerous!) to be heard.
Dear Heart

Dear heart, why will you use me so?
Dear eyes that gently me upbraid,
Still are you beautiful -- but O,
How is your beauty raimented!

Through the clear mirror of your eyes,
Through the soft cry of kiss to kiss,
Desolate winds assail with cries
The shadowy garden where love is.

And soon shall love dissolved be
When over us the wild winds blow--
But you, dear love, too dear to me,
Alas! why will you use me so?
My Dove, My Beautiful One
MY dove, my beautiful one,
Arise, arise!
The night-dew lies
Upon my lips and eyes.

The odorous winds are weaving
A music of sighs:
Arise, arise,
My dove, my beautiful one!

I wait by the cedar tree,
My sister, my love.
White breast of the dove,
My breast shall be your bed.

The pale dew lies
Like a veil on my head.
My fair one, my fair dove,
Arise, arise!
Winds of May

Winds of May, that dance on the sea,
Dancing a ring-around in glee
From furrow to furrow, while overhead
The foam flies up to be garlanded,
In silvery arches spanning the air,
Saw you my true love anywhere?
Welladay! Welladay!
For the winds of May!
Love is unhappy when love is away!
When the Star Goes forth in Heaven

When the shy star goes forth in heaven
All maidenly, disconsolate,
Hear you amid the drowsy even
One who is singing by your gate.
His song is softer than the dew
And he is come to visit you.

O bend no more in revery
When he at eventide is calling,
Nor muse: Who may this singer be
Whose song about my heart is falling?
Know you by this, the lover's chant,
'Tis I that am your visitant.
Strings in the Earth and Air

Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.

There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.

All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.
What Counsel has the Hooded Moon

What counsel has the hooded moon
Put in thy heart, my shyly sweet,
Of Love in ancient plenilune,
Glory and stars beneath his feet--
A sage that is but kith and kin
With the comedian Capuchin?

Believe me rather that am wise
In disregard of the divine,
A glory kindles in those eyes,
Trembles to starlight. Mine, O Mine!
No more be tears in moon or mist
For thee, sweet sentimentalist.
I Hear an Army

I hear an army charging upon the land,
And the thunder of horses plunging; foam about their knees:
Arrogant, in black armour,behind them stand,
Disdaining the reins, with fluttering whips, the Charioteers.
They cry into the night their battle name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.
They come shaking in triumph their long grey hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?

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